SOON
By Medhi Walerski
NDT1 in ‘Side A: Split into one’
Saturday, December 9th 2017
Stadsschouwburg Nijmegen
By Medhi Walerski
NDT1 in ‘Side A: Split into one’
Saturday, December 9th 2017
Stadsschouwburg Nijmegen
Soon by Medhi Walerski turns the fresh energy of four
young dancers into pure and strong movements, fitting perfectly in the
programme of Side A: Split into one.
This NDT1’s performance provides, together with Side B: Adrift, a double view of the nature of the company for the
season 2017-2018: while the latter is more theatrical and expressive, the former
shows technical strength and power.
‘Tonight I will be forever following the colosseum moon into a certain room’
Nowadays our
technological society is used to reach everything really soon, without having
to wait that much time. Nevertheless, Medhi Walerski’s piece led the audience
to think about the concept of time in a deeper and different way.
Since the
beginning the audience is captured by a particular atmosphere thanks to a big
copper bowl turning around the stage, like a big moon, for the whole duration
of the piece, creating lots of possibilities to develop the concept of
time through different aspects. Benjamin Clementine’s songs also help to set
up a melancholic flow underlining the idea of the passing time.
All of these
aspects become the background for the dancers, allowing them to take their own
decisions regarding timing, rhythm and speed, spacing and reactions, also
letting them live the present moment but at the same time reminding them
the existence of the perpetuity. Therefore, they develop both a really soft and aware movement quality.
Tasting all the endless
possibilities and opportunities they could live, just following the momentum
dictated by the passing time, the dancers give the sensation that they choose with which elements and shades they color the present moment, turning every second into
something magical and unique. Enjoying the moment, slowing down the speed and
enlarging the movements as in the first duet or fighting against the time being
faster than it with more nervous and quick movements as in the second one, they change the
dynamic of the piece. Also the flow never stops, not even during solos of each dancer. In fact, because of the perpetuity of the time, the rest of the people keep on moving, turning the choreography into a quartet and creating a
spontaneous harmony.
You would not be
amazed by costumes or lights or how the space is structured because they are
really basic: dancers wear anonymous blue suits, during the changes of lights
dancers do not necessarily react to them and the object removes the concept of
having a specific front. So if you are looking for a intriguing choreography
and the use of eye-contact you would maybe enjoy more the previous piece of the
evening (Proof by Edward Clug). On
the other hand, this piece would really make you travel into another dimension,
capturing you for the whole duration of the dance.
The tournée for this
piece has already ended, but if you are interested in this various and
professional company you can have a look at its website here: https://www.ndt.nl/home.html
Choreography,
Set and costumes Medhi Walerski
Assistant to the choreographer Katherine Cowie
Dancers Alice Godfrey, Madoka Kariya, Gregory Lau, Paxton Ricketts
Dramaturgy Pierre Pontvianne
Light Lisette van der Lindenin cooperation with Medhi Walerski, Pierre Pontvianne
Music Benjamin Clementine
Assistant to the choreographer Katherine Cowie
Dancers Alice Godfrey, Madoka Kariya, Gregory Lau, Paxton Ricketts
Dramaturgy Pierre Pontvianne
Light Lisette van der Lindenin cooperation with Medhi Walerski, Pierre Pontvianne
Music Benjamin Clementine
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