Marie Chouinard discovered the book
“Mouvements” by Henri Michaux in 1980. This book composed by 64 pages of
drawings and also a poem that occupies 15 pages, presents to the choreographer
some multiform figures that Marie Chouinard read it literally as a score for
her choreography, and then she proceeded to decrypt the drawings. It is
interesting to see that the transition of the book to dance was made page for
page, drawing for drawing and word for word, the poem was also included in the
choreography.
The drawings were projected in the background
of the stage one by one, allowing us (spectators) to also read the book of
Henri Michaux and do a personal reflection and reading of the images of the
author of the book. The dancers were dressed in black and dancing on a white
floor just like the white page and the black drawings being projected on the
background. Has Gia Kourlas wrote in the “New York Times” at the 9th
November 2013: “They could be shadow puppets.”
For me this work of Marie Chouinard was
refreshing and bright, not brilliant, not perfect but it is not really far from
that. It is incredible to see how a simple idea, a simple choreographic score
can create such a beautiful and challenging performance not just for the
dancers/ performers that are in the stage but also for the audience that is
sited on their chairs but at the same part being challenged physically and
mentally. I think that everyone that likes to see dance or performances should
go to see this piece. The simplicity of it shows us that we don’t need to be
complex to appreciate or to do something beautiful, artistic, enjoyable and
challenging.
Reviewed by: João Santiago
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